[There's all sorts of interference in this, visual glitching and white noise and an unholy sort of screeching periodically, but it appears to be an attempt to record (photograph?) a drawing, at first, then shifts up toward the flowers that are apparently the subject of said drawing before turning around to the artist herself, her brow furrowed and finger tapping the bracelet for a moment before the feed cuts out. It looks a heck of a lot more troubling than it should with all the errors.]
[There is a fuzz of static, and an audio feed that should have been a video that only reveals half of a word:] --mmine? [before fizzling into thirty seconds of static.]
[It's thirty seconds that she sits through, squinting at the screen in a way that could be argued as either cute or very unbecoming. Was that--? This time, the video is on purpose. Every moment of visual is grey and distorted and jagged, but there are a few snatches of distinguishable audio.]
[-- Ah. Definitely Terezi's account. (She thinks.) It's an easy enough message to decipher, she thinks, unless she's making some kind of huge oversight somehow.]
--m f-ne --mething must b- wr--- --th the -etwork. My bracel-- ---ms --ay but I c------ -----st-nd you e------.
DAY 308 | VIDEO
(no subject)
(no subject)
--ere? I-- --o --.... -- Te-- zi--?
(no subject)
▯R▯ YOU OK▯Y
(no subject)
--m f-ne
--mething must b- wr--- --th the -etwork. My bracel-- ---ms --ay but I c------ -----st-nd you e------.
(no subject)
UGH
▯S SOLLUX OK▯Y
(no subject)
[... Although,]
--'s prob--ly not -ery -appy abou- it either w-y. I sho--- -ext him.
[Not that she'll necessarily have much better luck there, anyway.]
(no subject)
L▯T M▯ KNOW WH▯N YOU F▯ND OUT OK▯Y?
(no subject)
(no subject)
(no subject)
[More because it's polite than because she thinks she deserves the thanks.]